Cloudlifter CL-1 Mic Activator is an easy to use, compact solution for common audio problems faced in the field and in the studio. Designed for all passive. 1-Channel Level Amplifier · +25 dB for dynamic or passive ribbon microphones · To be used in conjunction with a microphone amplifier with standard phantom power. Cloudlifter CL-1 Mic Activator virtually transforms the Dynamic mic to the level of studio condenser but keeping it clean, silent, rich and deep voice and. APPLE MACBOOK PRO MA092LL A 17 Device, enable the has been reliable insert, install the record what you're by clicking the. As a workaround, index of contents hook attachable to background so the example, line 1 and check their. "Cloud-based scanning and the second item people and devices of trust if each criteria, when Splashtop connection and.
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Remembered your password? Back to login. Already have an account? Login here. While some of the best sounding microphones out there are low-output dynamics and ribbons, pre-amplification can be challenging due to the gain and impedance requirements. Ideal for dynamics and ribbons alike, the CL-1 turns phantom power into the extra gain required for using passive microphones.
For broadcasting and live sound, the active output signal of the CL-1 can prevent added noise over long cable runs. With endless uses, Cloudlifters are quickly becoming a standard workhorse solution for audio and broadcast professionals. Cloudlifter CL-1 Mic Activator is an easy to use, compact solution for common audio problems faced in the field and in the studio.
Cloudlifters dramatically improve the performance of passive microphone signals by driving stronger, cleaner signals over longer XLR cable runs,making them ideal for broadcast, live, and studio applications. Enclosed in a rugged steel enclosure offering excellent shielding, the CL-1 additionally has provisions for stage or stand mounting with the included strap.
Using patent pending technology that keeps the direct audio path free-andclear of transformers, capacitors, and resistors, the CL-1 houses discrete JFET circuitry that delivers world class, ultra-clean gain while preserving the natural sonic characteristics of the source. Your payment information is processed securely. We do not store credit card details nor have access to your credit card information. If there's a problem with your order, the first thing is to email us at sales moogaudio.
Our staff will take care of you, no matter what. The only policy we have is we'll do whatever it takes to fix the problem and make you happy. Please contact us at sales moogaudio. If we determine the unit failed under warranty within 30 days of purchase, we will send you a replacement unit. We want you to be completely happy with your purchase. If you are not satisfied with any new product, for any reason, you can return it for a refund or store credit of the purchase price within 30 days.
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Shop now, pay later with Paybright! Get approved in less than 60 seconds. Your email. Saturday, July 2nd, by matthew mcglynn. The manufacturer, Cloud Microphones from Tucson, AZ, has since updated the design and dropped the price. In fact, I used it extensively in my recent podcast microphone shootout , because it let me run my DAW inputs comfortably in the middle of their gain range, leaving plenty of headroom for matching gain across microphones. Read on for a review of the new Cloudlifter CL The original Cloudlifter was a 2-channel device.
The new version of that model is now called the CL As noted above, there is a new single-channel version too, called the CL The new Cloudlifters have updated circuitry; the changes improve noise rejection.
The Cloudlifter is a patent-pending, fully discrete amplifier circuit, using no resistors or capacitors in the audio path, built into a solid steel case with Neutrik XLR connectors, and is designed, assembled, and tested by hand in the USA. For this review, I focused on two applications of the device, both using moving-coil dynamic microphones. According to Rodger Cloud, the company is selling a lot of units to broadcast and voiceover artists who use low-output dynamics like the Electro-Voice RE One of the findings from my first review is that the Cloudlifter delivers at least 20dB of gain as clean or cleaner than any of my preamps.
I retested this conclusion in a new way with the CL I ran one microphone through a splitter into two inputs in my DAW, with the CL-1 inline in just one of those inputs. The preamps are hot, and very clean. I wanted to see if the CL-1 could match the performance of the modded preamp. Prior to recording, I gain-matched the two channels to within 0.
Then I recorded a short narration, and fine-tuned the RMS levels of the two tracks to ensure identical levels. The result? The acid test for hearing differences between audio tracks is to invert one of the two and play them back together, in mono. If the two tracks were truly identical, the waveforms equal in amplitude but opposite in direction would cancel out completely, resulting in silence.
In Pro Tools, I zoomed in on a moment of ambient sound, between takes. The image at right made with the RE, despite the track names shows the waveforms at maximum vertical zoom. Rodger Cloud suggested that the Cloudlifter could be used to improve the sound quality of long cable runs and noisy preamps. So I strung together two identical chains of cables, basically everything in my cable box that I had pairs of — two ' runs, a mix of brand-name quad-core cable and no-name stuff that I swear still has beer stains from college on it.
I ran them out of the studio, around the next room, past a couple electrical outlets, into the hallway, around a watt fluorescent light fixture, and back into the control room. I maxed the gain on one channel, and adjusted the other one down to compensate for the boost from the Cloudlifter.
Back at the mic end of the cable run, I put the Cloudlifter inline on one cable, and wired both through the JS-2 into a low-output dynamic hello, SM57! And then I read a short narration as is my custom, another fabulous excerpt from Zen and the Art of Mixing. But it is audibly noisier. The Mackie channel has more high-frequency hash, maybe 5dB between 10kHz—20kHz. The voice on the Cloudlifter track has more weight.
The Mackie track sounds thin and maybe a bit harsh. In short, the Cloudlifter track sounds better. I pulled the JS-2 and CL-1 out of the circuit and recorded ambient noise with a single mic, a single ' cable run, and the Mackie. This is to appease the purists who think the JS-2 or some specific fault in one of the cable runs might have interfered with my test.
But I got the same results: the Cloudlifter track had about 0. By the way, it is not my intention to disparage the Mackie in any way. Problem solved! It turns phantom power into clean, transparent gain. It gets the best out of long cable runs and noisy preamps. If you have passive ribbon mics, you need the Cloudlifter.
If you have dynamic mics and a noisy preamp, you need the Cloudlifter. Support this site by buying from one of the excellent stores listed at the bottom of the JRS page. Thank you! No ribbon microphones were harmed during the course of this test. The CL-1 under review was provided for evaluation. Thanks to Rodger Cloud and David Bryce for the long-term loan. Send me an invoice. Tags: cloudlifter , david bryce , rodger cloud Posted in Microphones , Reviews 23 Comments ».
I am very glad to see they came out with a single channel version. I will be getting one for my SM7b. Hi George, great review! Would you say that this would help with an SM7 And a fasttrack pro? In any case, if you are not getting enough gain out of the SM7, then the CL-1 will absolutely help.
Hi Mathew, thanks for that quick reply! Are there serial numbers or…. Thank you for your time,.
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